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Crimson Glory (1986)
Crimson Glory’s self-titled debut was recorded in late 1984 but wasn't released until October 1986. This is a great example of mid-’80s heavy metal, with clear and crisp production that still retains that period’s charm. It avoids the sterile, overproduced sound that would plague a lot of metal by the end of the decade and into the ’90s. The focus is on the vocals and guitars, which have a sharp tone. The riffs are memorable and sometimes epic, and there are intricate lead solos throughout. The vocals are insane, as this guy hits notes so high it sounds like glass might shatter.
“Valhalla” and “Azrael” stand out immediately, and “Heart of Steel” is also a highlight, with memorable riffs and vocal lines. The playing is tight and the songwriting is very solid, though more melodic than I'd hoped when I first heard the band. "Mayday" was my introduction to Crimson Glory, and maybe the best song here. I wish there were more fast tracks like this one. This record reminds me a little of early King Diamond, and some of the more rock-based parts bring Queensrÿche to mind.
Unfortunately, things fall apart at the end. “Lost Reflection” jumped the shark and is cringeworthy, even for those who don't mind the cheesier moments elsewhere. It closes the album on a sour note. Honestly, considering the lame album cover and the band photo that looks like they just finished each other off in an alley moments before the session, it’s a miracle there’s anything good here at all. Still, most of this is solid ’80s heavy metal and worth a listen.
“Valhalla” and “Azrael” stand out immediately, and “Heart of Steel” is also a highlight, with memorable riffs and vocal lines. The playing is tight and the songwriting is very solid, though more melodic than I'd hoped when I first heard the band. "Mayday" was my introduction to Crimson Glory, and maybe the best song here. I wish there were more fast tracks like this one. This record reminds me a little of early King Diamond, and some of the more rock-based parts bring Queensrÿche to mind.
Unfortunately, things fall apart at the end. “Lost Reflection” jumped the shark and is cringeworthy, even for those who don't mind the cheesier moments elsewhere. It closes the album on a sour note. Honestly, considering the lame album cover and the band photo that looks like they just finished each other off in an alley moments before the session, it’s a miracle there’s anything good here at all. Still, most of this is solid ’80s heavy metal and worth a listen.
(20 May 2025)
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